From the studio
Studio journal
Notes from the bench and the kiln: what came out of the last firing, how we price our pots, and what to expect on a course. New posts most weeks.
How we test a new glaze
Every new glaze starts as a row of test tiles.
What to expect at your first Raku weekend
Two days, six people and a fire outdoors: what happens on a Raku Weekend, what to wear and what you take home.
Opening the kiln after a glaze firing
Why we wait a day and a half, what we look for first, and what a row of test tiles tells us after every glaze firing.
Why our seconds are cheaper (and still good)
What makes a pot a second at Glaze of Glory, why we sell them for less, and why you can still use one every day.
Choosing a clay for the wheel
Smooth or gritty, white or buff: how to pick a clay for your first months on the wheel, and the one we hand to every beginner.